No brushes.
Only my hands.
I have never used a brush. Pigment goes on with my palms, my knuckles, the edge of a thumb, so the mark on the canvas is the shape of the hand that made it. It is the reason no two works can be the same.
Fire, ice and animals are the three things I return to. Controlled burns in the high country, the cold water of the far south, and the animals I have stood close enough to remember properly. I work large, in acrylic, from a studio in bayside Melbourne.
Available now













A few commissions each year.
I take on a small number of private commissions so each one gets the time it needs. Tell me the subject, the room and the size you have in mind and I will come back to you with a scope and a price.